Doll House Essay

In the chance A DOLLS HOUSE, we are presented with a precise idealistic version of life in the late 1800s, and along with that, the precise confined roles both men and women were placed into. A DOLLS HOUSE lends proof to the fact that women do not always whoop it up the freedom to say, do and choose a lifestyle that they find fulfilling. The explanation that the play presents sheds a very domineering light on males as heads of households, and in society in general, and portrays women as dependent and subservient.In the chess opening scene of A DOLLS HOUSE, the main share Nora very tellingly hides, and later lies to her husband about eating a sugary treat (Ibsen). Although Noras husband Torvald grills with questions such as Hasnt Miss Sweet Tooth been breaking rules in town today? she continues to forswear that she has, despite having hidden a few macaroons in her pocket moments prior (Ibsen). The question might arise would a man ever be subject to such questioning and sev ere restrictions?We do not pecks see the roles reversed, were the woman controls so a great deal of what a man eats, how a good deal he spends, what he does in his spare time, etc. , especially in literature and other sources of entertainment. Too often, the traditional views of marital and societal roles regarding men and women are presented over and over the male wears the pants, dictating to the woman how much she should spend, where she should spend it, and how to behave Properly.As the play progresses, we learn that Nora has affiliated a grievous crime, forging her fathers signature on a baffle secured in order for she and her husband to spend time in atomic number 63 as part of Torvalds recovery from a grave illness. Nora is shown to be very dependent on money, and things of monetary value, and therefore her husband since he was plainly procurer of their financial status.Nora comes across as is very dependent on Torvald for her financial needs, and also extremely greedy as evidenced when she exclaims equal a child Money at the sight of her husband producing to a greater extent money to give her (Ibsen). She follows that with ten shillingsa pound- -two pounds Thank you, thank you (Ibsen). much(prenominal) exchanges throughout the play place such a childlike habituation on Nora towards her husband. It is interesting that Nora takes a secret pride in her crime, tactual sensation that it sets her apart and gives her more purpose, while at the same time worrisome about how humiliating it would be for Torvald, with his manly independence, to know that he owed me anything purge fearing that their beautiful happy home would no longer be (Ibsen). march on still throughout the play, we are faced with more evidence to conduct the fact that women were not seen as equals in marriage, but as soul to be either proud of or shamed by fit to their looks, actions, and ability to keep a home running smoothly. Nora herself is very mindful of her place as a t hing to be admired when she remarks to her protagonist Mrs.Linde, somedaywhen I am no longer as nice-looking as I am nowwhen Torvald is no longer as given over to me as he is now when my dancing and dressing-up and reciting have palled on him (Ibsen). another(prenominal) very telling exchange between Torvald and Nora takes place during the preparation for a ball in which Nora is to dance. While trying to discourage her husband from traceting the mail, and finding a letter from the man who was going to reveal her crime, Nora plays to Torvalds overriding tendency insisting that she cannot do it correctly without his help.Although their conversation is in reference to her dance and practicing, it seems to shed some light on the type of race they have. Nora exclaims I cant dance tomorrow if I dresst practice with youcriticize me, and correct me to which Torvald replies with great pleasure, if you wish me to (Ibsen). As they practice, Noras nerves about her crime being exposed ge t the best of her and she is unable to perform correctly. Torvald cries you will need a lot of coachingyou can depend on me (Ibsen).