Symbols in Henrik Ibsens A Dolls House

Symbols in Henrik Ibsens A Dolls crime syndicateSymbols of new beginnings for NoraIn A Dolls House the protagonist, Nora lives in a straight-laced society where women are heavily controlled and inured as second-class citizens. The average niminy-piminy women belonged to a stereotype that the women were ask to stay home and clean, prepare meals and raise babyren. In marriage Victorian women lost ownership of their wages, all physical property, including land, and all other change generated once married. The conserve would represent both man and woman placing the husband in control of e rattlingthing and that including the wife as if she was a piece of property. This was Nora to begin with her new beginning. The playwright employs a variety of literary techniques and symbolism to come the transition from a traditional Victorian woman to the image of her guessn at the end of the play an embittered yet sophisticated, intelligent, and newly empowered woman boldly escaping the infantilizing clutches of her old life. Amongst the symbols employed throughout the play many were unmatcheds in which represented a new beginning for Nora. From the point of act one she played the submissive, seemingly selfish, foolish wife refusing to acknowledge the bearing that she was building. From the Christmas steer to the macaroons to the Tarantella to New Years mean solar day are very important symbols which are Noras loves, they are what helped her to obtain her new beginning, these symbols conveyed to the subscriber the beginning a new for her.Christmas is favored holiday for Nora, the level of gratification is exponential, but part of the reason why she is so happy is the exuberate that she has when playing the role of a wife and mother. The toys that she chose for her barbarianren suggests that she is fine with the status quo of Victorian society, girls being nurturing and growing up to be a homely wife and mother while boys grow up to be strong and powerful. t hough during this stage her action of wanting to buy something for herself implies that she wants to make a purpose for herself going against the status quo. At this point though unaware she starts to destine of independence as if the thought of it was in the back of her mind. though Torvald does non allow her to do so, the fact that Torvald will not trust her with coin to buy herself a present indorses a major imbalance of power. We see her during the play ordering the Christmas tree and then decorating it, secretly acting on an individual basis an implication of growth of strength to be an independent woman growing, go on towards a new beginning. During Christmas Eve Nora believed her marriage to be one that had critical to no issues. At the beginning of the second act, the tree has been stripped and the force outdles ruin out stage directions dictate that is should look bedraggled. This represents the end of Noras innocence and foreshadows the Helmer familys eventual di sintegration, the tree represents the family and its unity, the husking of the tree foreshadows Nora stripping from the family unit and her becoming her own person and reaching her new beginning. She is commencement to change significantly at this point. Though the first implication of a strength that was beginning to grow was in her little act of take in a macaroon.The macaroons was a treat that Torvald had forbidden Nora from eating. Nora claims that she would never dream of doing anything that Torvald did not want her to do, but this is disproved in the very opening of the play when Nora chow macaroons while she was alone in the living room. The macaroons come to represent Noras disobedience to Torvald, as this was her first act of disobedience seen by the audience. The macaroons depict that Nora is the perfect little pet that Torvald views her to be. The macaroons function in the play was to demonstrate that although that some families and lives seem picture perfect, most of the time it is not authorized, as proven by Noras need to hide the bond and macaroons from Torvald. Ibsens use of symbolism in using such a peanut pleasure impacts the story in a huge way by subtly showing the audience that Noras lifestyle is not as truthful, happy and dependent as it seems, an independent act can live to more and such implies her growing strength. After giving a infuriated consummateance of the tarantella Nora asks that the macaroons be served at dinner, indicating a relationship between the macaroons and Noras inner passions, the tarantella and the macaroons can be said to be two of Noras loves which help to show the audience the truth of who she rightfully is.The tarantella symbolizes a side of Nora that is fiery and passionate she could express her true nature in this dancing. The Tarantella was a wild southern Italian trip the light fantastic, generally danced by a couple or line of couples. The dance was named after the tarantula spider, whose poisono us bite was mistakenly believed to cause tarantism, an unruly urge for wild dancing. The cure prescribed by doctors was for the sufferer to dance to exhaustion. Pyscologists reason that the only form of expressing passion to its fullest, was the Tarantella. It is the fiery, passionate dance that allows Nora to terminate the faade of perfect mild-mannered Victorian wife it is the catalyst in which Nora is able to demonstrate a repressed side of herself, her true self. Ibsens placement of the Tarantella in the third act is an foreshadowing factor which implies the breaking out of Nora. Her new beginning, is clearly seen in this dance something that is not controlled. Throughout the play Nora uses performances to please Torvald, and the tarantella is no exception he admits that watching her perform makes him desire her. However this is only under controlled circumstances, and Torvald seems to enthrall that the performance impresses other people more than anything. But she can be on ly controlled to a certain point such can be said when Torvald was laborious to give instructions slow down, trying to control her as he watched her practice before the actual event. Though this seems to be only done to please her husband with a performance, what drives her to perform is the underlying aspect that she can demonstrate her emotions to the fullest uncontrolled.New Years day is traditionally viewed as a new beginning and such can be said to be the Helmer familys view, they are looking forth to this new beginning. Torvald starts a better paying job at the imprecate at which he works, Nora is almost kick if not already free of her debt by New Years day. By the end of the play Nora has decidedly made a new beginning for herself though not as expected without her children and her husband. As the secret about the debt is found out by Torvald and she has reached an epiphany because of this that she existed merely to perform tricks blaming him and her father for treating her like a spoilt child and a plaything for their own entertainment. They wanted her to be ignorant and helpless, and and then far she has only tried to please them and in turn lacking out on any opportunity to educate and improve herself. alone the times she subtly rebelled or disobeyed or rather she was the one in control behind the scenes but now she is seen clearly, no more deception. Noras submissiveness to Torvald is no longer seen. She shows herself no longer as a child but as an adult woman these symbols that the author has employed has shown her training over time. Especially when Torvald fails to provide the strength that she needed, because of that she can truly theorize that she no longer loves him. Her realization that she wants to pursue her independence is not so much a transformation but an awakening to a strength that she had possessed all along and with this strength she can begin a new.